Promote the benevolence of academic research and establish the style of the generation of scholars. Today I will introduce to you the story of Mr. Zheng Qia, a well-known local wise man in Haojiang, who devoted his life to protecting and inheriting the Chaoyue culture.
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▲Mr. Zheng Qia
Autumn windows to the moon, playing the clear sound. The song “Remembering the Old Friend” is lightly wiped out. Myanmar’s ancestors, every time I whisper, tears are touched. I vaguely peek at the shadows, and I can’t find the sky when I see it. I play the piano on the autumn night and remember my grandfather, Qia Gong’s voice and appearance are still there, and I don’t feel tears wet my clothes. The poem is here – “Telling Hearts” to express my grief…
My grandfather Zheng Qia, Babaylan 1990 clothes draw was originally from Mukeng Palace, Miancheng, Chaoyang, and was a sage and famous teacher in the Chaoshan music industry. Good at temple painting and exquisite academic figures. What I learned throughout my life is profound and profound, and I especially value Confucianism and joy in educating people. He is committed to the inheritance of traditional culture and traditional music and is the founder of the dissemination and development of Chaoyang Ditao Music in Haojiang. My grandfather lost his father at a young age and was able to sell fried dough sticks at Chaoyang Tower at the age of eight. However, he is eager to study and lingers in the academies and bookshelf all day long. I got the mercy of the old man in the private school and allowed him to study for free. He is also smart and always stays in temples and music halls, and is fascinated by calligraphy, painting and music art. At the age of twelve, he studied under Mr. Chen Wulu, a famous chauvinist of the “Yangchun Garden” Leshe in Chaoyang. He was highly valued and accepted as a disciple of the family, teaching Chaoyang flute sets ancient music and string poetry music. After obtaining his true teachings, he is especially good at drums and flutes. During the Anti-Japanese War, Chaoyang’s “Yangchun Garden” Leshe stopped all drills, and his grandfather moved to Dahao. DahaosuKomiks 1960 witch cloth draw belonged to Chaoyang County recruitment capital. Guangxu (Chaoyang County Chronicles) recorded: “There are many people in the place where strings and poetry are considered to be more prosperous.” After settling down, he met local celebrities such as Wu Xuehong, Zheng Jieru, Zheng Fuxuan, Lin Zhonghong, Li Yongzhi, and fellow music clubs such as Zheng Senyao and Yao Biaoqing. He deeply felt that Dahao’s humanities and history had a solid foundation. However, he felt very sorry that there were few people who dabbled in Chaoyang Di Fu’s ancient music in this place, and thus he had the idea of spreading and carrying forward it. Therefore, we entertain ourselves first and then attract enthusiasts to observe and learn. By the 1950s, there were WuMore than 40 enthusiasts including Guozhe, Cai Zhaowu, Li Qinru, Wu Tongguang, Yang Dan practiced Chaoyang flute set music and Chaozhou silk string music in batches. In the 1960s, there were hundreds of scholars. There were Zheng Yujie, Huang Tingke, Wu Muqing, Huang Tengsen, Wan Mianshui, etc., who either made a living for learning art or became a disciple for learning art due to their interests and hobbies. As the number of disciples and disciples followed one after another, I was eager to use Changxuan as a learning venue. Cinema 1950 witch cloth draw also considers the original intention of passing on the art, and wants to restore the “Yangchun Garden” Music Society, which was suspended due to the turbulence of the current situation. So he resolutely set up a hall next door, and used his home to be his home in 1960 witch cloth draw as the hall, and carved a wooden drum pavilion, and wrote a note by himself: “Yangchun Garden Music Hall”, and the head of “Yangchun” was the music hall: “The three suns bloomed and the good luck will be reunited, and the first plum blossoms in spring will be the first branch.” To pray for the country’s fortune, Cinema 1950 witch cloth draw, the “Yangchun Garden Music Hall” connects the past and the future, promotes excellent traditional culture, and inherits and develops Chaoyang Difu music. Once the venue is established, the rules must be determined, the teacher must be strict, and benevolent and etiquette must be learned. Whenever the students start and stop at the beginning and end of the daily course, students must bow in front of the pavilion when entering the classroom and must not be disrespectful. At that time, he continued to accept disciples, unpacked the bags and added musical instruments, and taught free skills such as flute sets, gongs and drums, flute sets, Su gongs and drums, palace music, temple music, string poetry music, Chaozhou gongs and drums and other skills. Flute music is divided into “Flute music” and “Flute music”. The ancient music of Flute Tao originated from the court music of the Tang and Song dynasties. It was the accumulation of ancient music flowing into Chaoyang and evolved with local music. Because of the special Chaoyang accent, it forms a deep, heavy, solemn, elegant and unique rhythm. “Flute Ancient Music” belongs to the Confucian Temple School, mainly composed of Sheng, Xiao, Guan and Flute, with the flute led by the music, accompanied by Sanxian, Pipa, Zheng, Yueqin, Qinqin and ancient string music, and is accompanied by the performance of small eight-tones such as bell, Qing, Muyu, Jieying, Komiks 1960 witch cloth draw, Zhe Gu, Sumuban, Wuyin Gong, and Xiangzhan. It retains more the simplicity, solemnity and elegance of court music. The performance style is harmonious, square and graceful. The main tracks include “Four Scenerys”, “Headlight Tower”, etc. “Flute Set Gongshu” belongs to the folk school. In addition to retaining the tone and set music structure of the traditional Flute Set Ancient Music, it is equipped with Jiangsu Opera Su Gongshu and Chaozhou DaluoBabaylan 1990 cloth draw drum percussion instruments form the open, bright, fresh and elegant “Fluan Su gongs and drums”, the lively and light, joyful and jumping “Fluan Xiaogongs and drums” and the high-pitched, exciting, vigorous and enthusiastic “Fluan Da Gongs and drums”. The categories are mainly distinguished from the supporting use of light and heavy musical instruments. At the same time, the second-class flute music combines the unique charm of Chaoyang dialect with low pronunciation and powerful Dantian.
▲The traditional music “Kongzi Score” hand-copied and compiled by Mr. Zheng Qia
“Fluan ancient music is Confucian music! “The grandfather often said. The performance should be elegant and humble, and dignified. The drums in Komiks 1960 witch clothes draw are especially true. The drums are called “not looking up at the face, and the hammer is not just eyebrows” as the method. The flute Babaylan 1990 cloth Draw set of the main instrument of ancient music “horizontal flute”, and its unique playing technique “dragon head and phoenix tail finger” is the only way to play fingering. From the podium, style and even the matching of the repertoire, it is necessary to use the hard and soft string orchestration instruments according to the traditional repertoire to inherit the ancient music of the flute and elegant style. The second string is a Chaozhou string musical instrument, which is a Chaozhou musical instrument unique to Chaoshan, also known as “head and hand string”. It should be noted that the handle is the most important thing. DrawThe bow is stable and the demeanor is the key. The performance should be solid and the fingers are solid. The hardness and softness are combined, and the strength is strong and not noiseless, and the weak is not weak. In the use of sentence patterns, the sentences must be made gorgeous, and the complexity and simplicity must be moderate, fully reflecting the rigid, flexible, steady and elegant playing style and performance characteristics.
At that time, no matter how severe cold and heat, whether on sunny or rainy, in the old tiger house built by my grandfather, from morning to evening, singing and playing gongs and drums. Or sitting around three or five, clapping and playing the string poem set with the traditional music score “Kongqian Tu”, or singing and reading the flute in pairs, practicing the big gongs and drums in the afternoon, and even the string music ensemble in the evening. At 6 o’clock in the morning, students and disciples living in the music hall must get up on time. After washing, they may eat beansCinema 1950 witch cloth drawFood sticks and pastries, or drink the homemade five-ren noodle soup of my grandfather, and then stand in pairs in pairs in the door yard, practicing playing the flute in turn, which is called “‘Yao’ string full flute”! Before practicing flute, you must not be empty-handed, and the alchemy energy is insufficient and the air is not smooth. My grandfather sat upright on the side of the big eight immortal table in the middle of the hall, slapped with a drum board, half-closed his eyes, and carefully observed whether the luck and exhalation were smooth and correct when listening to the flute. Following the traditional fingering method, rigorously and standardize the playing techniques with the starting sentence “picking, patting, covering, and wiping” as the rhyme, and the sentences are clear and complete. The performance exercises of each piece of music must be sung with the traditional music score “Kongzi Score” until it is familiar and smooth before it can be practiced in solo and ensemble.
▲The disciples participated in the 1984 “Shantou Island Summer Concert” performance of the flute and gong Su Gong “Autumn Night in Fishing Island”. Si Gu: Wu Shunxi
My grandfather taught the students and taught them without any distinction. He taught according to his aptitude and had solemn rules. After learning the flute playing technique, his disciple Wu Shunyi continued to practice the yangqin. The original butterfly zither was equipped with the Komiks 1960 witch cloth draw zithers, so he asked a friend to buy a three-stair yangqin from Beijing to continue his disciples’ ability to practice the utensils. Later, Wu Shunyi and his eight-year-old younger brother Wu Shunxi learned his skills. His grandfather first tried to use various plucking instruments and percussion instruments to see his character. After a closer examination, I realized that he was smart and smart, and had a great sense of music. He also showed agile hands, which was a craftsman for the Chaomu drum. Therefore, he strictly defined the framework: learning drum art requires the flute to be enlightened from the main instrument of flute music, and then proficient in other plucking instruments. This is to lay the foundation of its music and help it understand its musical connotation. Through learning different instruments, master the musical expression forms and characteristics of each instrument, understand the complementary contrast of each instrument’s expression forms, and give full play to the commanding role of drums during the performance. After learning the art for several years, he received careful guidance from his grandfather. The brothers Wu Shunyi and Wu Shunxi, who are quite talented in music, have already obtained their true teachings and superb skills. I remember an older brother who walked to the music hall in the evening about a hundred meters away. He heard the loud, exciting, melodious, but simple and quiet sound of flutes from afar, which was very pleasant! However, I was surprised that the solo of the flute had such a large tone? After careful identification, it was not like playing the double flute. In a while, he walked slowly and walked to the entrance of the music hall, and stopped in shock: Wu Shunyi and Wu Shunxi were standing in front of the hall, playing the flute set of the flute music “Happy Lantern Building”》. Even though he clapped his hands and sighed: The sound of nature is a wonderful combination! Although my grandfather was always so powerful that he was not angry, he was occasionally angry! I remember that it was one night when I was fifteen years old, and my senior brothers Babaylan 1990 clothes draw still arrived at the music hall one after another. The first ones came were my honest and honest uncle, thirty years older than me, and my “head-hand-string” was pulled and like I was dozing off, as well as my junior brother Wu Shunxi, whom I called “happy fool”. As usual, my brother debugged the flute. Uncle Master prepared his second string, Wu Shunxi took out the coconut beard, and at the same time I also adjusted the yangqin. A string poem “Crown Playing in the Water” began the ensemble. My grandfather was still sitting on the side of his big eight immortal table, playing the suma board while controlling the slow rhythm with his belt. My grandfather often said, “It is difficult to have a string music, although it is not easy to have a slower poem, the difficulty lies in the ‘fast but not messy, slow but constant’!” After two rounds, my grandfather’s drummed up the slogan and turned around and continued to the slogan. At this moment, my mind was absent, and the connection was in a mess. With a angrily shout, the small drum in my grandfather’s hand flew straight towards the direction where I was sitting. The little cynical Wu Shunxi was so scared that he hugged the coconut beard in Cinema 1950 witch cloth draw and hid far away. And I was so shocked that I held the pair of piano chopsticks in my hand tightly and kept wiping my tears. But my uncle was already very awake at this time. He was standing beside his grandfather, lowering his voice and cautiously, “Sir, don’t be angry, don’t be angry,” and constantly persuading him. Finally, fortunately, my mother, who heard the sound, rushed out, and my grandfather gradually calmed down. Since then, we no longer dare to slack off or be inattentive in our studies! Of course, for those apprentices who are good at taking action or are diligent and studious, their grandfather will also commend them very much. For all the specialty cakes, snacks and other items given by friends, Komiks 1960 witch cloth draw will be given priority to the sharers, and even those who can accompany their grandfather to go out to visit friends are honored, and those who are regarded as treasures by their grandfather!
However, my grandfather was the twelfth disciple of Mr. Huang Xingtai, a master of Chaoshan astrology and geomantics. He was well versed in the academic numbers of star fate, Qimen, geomantics, and auspiciousness. As early as eighteen years old, my grandfather had already dabbled in books in addition to studying traditional flute music., painting, medicine and other kinds. During this period, he was appreciated by Mr. Chen Bingji, a folk painter in Guiyu, and was taught fine brushwork lacquer paintings and temple paintings. After finishing the class, he was particularly famous for his “door god’s inverted painting” (that is, the door god’s strokes start from the soles of the feet to the crown of the head). At the same time, due to his painting skills, Mr. Huang Xingtai, a master of Chaoshan Astrology and Constellation, was highly valued by Mr. Huang Xingtai, and was admitted as a disciple of the family, teaching meritocratic academic mathematics and astronomical calendar. After several years of becoming a teacher, the students have been studying hard for their grandfather’s lifelong studies, and they always find the essence and feel happy! Therefore, every day, there are endless people visiting and discussing skills, taking children to learn calligraphy and painting art, or asking questions and answering doubts. In the front hall and backyard of Yangchun Garden Music Hall, all disciples follow the teaching rules, learn skills, and be harmonious with static and dynamics. The disciples in the music hall are nearly 60 years old. My grandfather precepts: No high or low learning, no long or short learning, there are orders of knowledge, specialized skills, and wise men should not “use their talents to discuss their generation” and “use their skills to deceive each other.” When learning art, you must first establish quality, know etiquette and righteousness, and be humble. Be kind to others is the foundation of being a human being, and being harmonious is the way to deal with the world. Only by being united and one’s heart and virtue can one make what one learns profound and profound.
▲A disciple of the disciple participated in the 1984 Shantou Island Summer Concert to perform the flute set of palace music “The Great Golden Lion”. Si Gu: Zheng Shufang
In addition to his studies, he got along with his friends. Mr. Yang Guangquan of Shantou Opera School has repeatedly discussed skills with his grandfather, and had a great conversation with him. He worked together to carry out the inheritance and development of excellent traditional music culture. While passing on his skills, he did not forget to collect and organize the folk information of Chaoyang Di sound set. It started in the 1960s and participated in the Chaoyang Folk Music Research Group and often traveled to and from Chaoyang folk music clubs to collect, organize and edit folk music materials. In the 1980s, Mr. Zheng Zhiwei of Chaole Research Office also visited the music hall for several months. Chaole Research Office scholars Zhuang Lizhu, Lin Shengmin and others visited many times. With the support and assistance of their grandfather, they discovered and sorted out folk materials. The proofreading and compiling Chaoyang flute musical scores and gongs and drum scores are used for systematic collection and organization. During this period, the music score was compiled by grandfather and rehearsed by his disciples. He participated in the “Shantou Island Summer Concert” in 1984. At the same time, he also participated in the new flute Su Luogu “Autumn Night in Fishing Island”, which was highly praised by the industry. After watching the Chinese musicians Li Guyi and Jin Tielin, they were amazed at the ancient music of flutes. The performance ends, news media, Chinese mezzo singer Luo Tianchan both invited each other to interview and report.
The teacher’s kindness is engraved for generations, and the ancestor’s virtue is for thousands of years! My grandfather’s enthusiasm and dedication to inheriting and promoting traditional music was not disappointed. The experience of the people who have learned throughout their lives is still vivid in my mind! The “Three Treasures of Folk Art in Chaoyang” praised it: “Accumulate virtue and respect goodness, teach art and teach people, is deeply loved by disciples, and can be called a role model for Chinese traditional culture.” Note: Hook, pick, put, and wipe: fingering method of playing the guqin; Babaylan 1990 cloth draw “Remembering Old Friends”: The famous guqin song; Qao Gong: The surname is Zheng, the name is Yonghua, the name is Qia and the nickname is Qiaxian. Author’s grandfather.
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