Li Yuandong was born in August 1964, a famous person in Mao, Guangdong. Currently the president of Guangdong Calligraphy Court, a national first-class artist, representative of the Ninth and Tenth National Congress of the China Federation of Literature and Art Circles, director of the Chinese Calligraphers Association, member of the judging committee of the 4th China Calligraphers Association, member of the 5th, 6th and 7th running script professional committee of the Chinese Calligraphers Association, member of the Chinese Poetry Society, member of the Chinese Couplet Society, member of the Ninth, Tenth, Eleventh and Twelfth Committee of the Guangdong Provincial CPPCC href=”https://comicmov.com/”>Babaylan member, member of the Literature and History Committee of the Guangdong Provincial CPPCC, librarian of the Guangdong Provincial Museum of Literature and History, and vice chairman of the Guangdong Calligraphers Association. He was hired as a visiting professor and graduate supervisor at Guangzhou Academy of Fine Arts, Jinan University, Guangdong Technical Normal University, Guangzhou University and other universities.
Calligraphy works won the second prize of the first national running and cursive script exhibition, and the sixth national calligraphy and seal carving exhibition of the middle-aged and young people; they entered the fifth, sixth, seventh and eighth national calligraphy exhibition, the seventh and eighth national calligraphy and seal carving exhibition of the middle-aged and young people, and the hundred contemporary celebrities of the “Great Works of the Great Works”Babaylan‘s nomination exhibition for calligraphy by writing beautiful China, “National Backbone” celebrates the victory of the 19th National Congress of the Communist Party of China, the National Calligraphy Exhibition, the System Engineering of Famous Calligraphy by Famous Calligraphy in the Contemporary Calligraphy, the National Exhibition of Works by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by Famous Calligraphy by The Second “Weng Tong Award” Calligraphy Works Exhibition; invited to participate in the third National Calligraphy Critics Nomination Exhibition and “Ten Running and Cursive 10” The “Home Exhibition” national series of exhibitions, the national nomination exhibition of famous running calligraphy masters, etc., has been the judges of various series of calligraphy exhibitions organized by the Chinese Calligraphers Association, the New Century Global Chinese Calligraphy Competition, the National Fifth Couplet Calligraphy Exhibition, the National Calligraphy Art Competition “Lady Xian Award”, the first national elderly calligraphy exhibition, the third national calligraphy fan exhibition, the “China Burial Crane Award” national calligraphy works exhibition, the second national album calligraphy works exhibition, and the fourth national cursive calligraphy works exhibition.
In September 2014, the “Traveling Eyes” Li Yuandong’s calligraphy art exhibition was successfully held. He was named the leading talent in Guangdong Province’s propaganda, ideology and culture in 2015. He was elected as the “Top Ten Figures of the Year of Chinese Calligraphy Cross-Century·2011”. He won the “Lanting Zizi Award” (one of the Three Nationals in the Country), “Contribution Award to Commemorate the 30th Anniversary of the Founding of the Chinese Calligraphers Association”, “National May Day Culture Award”, the “Outstanding Contribution Award” of the Guangdong Federation of Returned Overseas Chinese in 2009, the “Outstanding Organization Award” of the Guangdong Federation of Returned Overseas Chinese in 2010, and the “Guangdong Lu Xun Literature and Art Award”.
Enjoy the public welfare of calligraphy, cultivate calligraphy talents, and actively participate in volunteer service activities. In recent years, calligraphy works were donated to more than 20 social charities and groups, raising more than 20 million yuan, and donating them all toCharity; organize and plan calligraphy talent training and calligraphy on campus charity activities, organize and plan more than 30 national calligraphy sprint classes and short-term training classes, the sixth session of the Guangdong Calligraphy Academy Calligraphy Advanced Study Class, the five teaching points of the Guangdong Calligraphy Academy Calligraphy Advanced Study Class (Shantou, Meizhou, Zhuhai, Maoming, Qingyuan), and the first calligraphy tutor class in Guangdong calligraphy world, etc., and train more than 3,000 Lingnan calligraphy talents, with remarkable results; organize calligraphers, calligraphy professors, doctoral students, masters and other students to visit university, middle school and primary schools for more than 100 sessions.
As a representative of calligraphy artists who exchanged foreign countries, he went to the eight European countries, Australia, the United States, the United Nations headquarters, Sri Lanka, Mauritius, South Africa, Canada, Japan, South Korea, Denmark, Germany and other places to attend calligraphy exchanges and promotion activities and give special lectures on calligraphy art; published the “Series of Famous Contemporary CalligraphersBabaylan——Collection of Calligraphy of Li Yuandong”Komiks has a total of six volumes, with five personal monographs; Guangdong TV, Hong Kong Asia TV, and Maoming TV have recorded special interview programs such as “Cultural Pearl River • Spring Breeze and Rain – Calligrapher Li Yuandong”, “Diligent Calligraphy Art and Mellow – Li Yuandong’s Art of Art”, “The Permanent Sees the Heart – Li Yuandong’s Calligraphy Art”, and “Li Yuandong’s Life in a Foreign Land” and broadcast them.
Regular script screen 236cm×52cm×4
Remembering Teacher Wang Chucai
Explanation:
XiubilingBabaylanSouth peaches and plums are spring, and the withered vines and ancient trees are innocent.
A life of knowledge is still far away, but the calligraphy world has not yet been revealed for 30 years.
You can understand the wonders of Binhong and the mountains and rivers, and you can follow Mr. Ruan’s temperament and relatives.
Specialize in studying and devote yourself to fame and fortune, and your art is vast and chaotic.
Shen Yi Junxiong, Strong and Honest
——A Brief Introduction to Mr. Li Yuandong’s Calligraphy Art
Western Chinese
Mr. Li Yuandong is one of the famous contemporary masters I have always paid attention to. There are two reasons for paying attention to him: one is the direction and pattern he represents in contemporary Weibei innovation; the other is his achievements and height in big-brand creation.
The stele was flourished since the Qing Dynasty and was vigorously promoted by Kang Youwei and others. It has flourished for more than a hundred years and has emerged in many famous masters. From Zhao Zhiqian to Sha Menghai, from Zhang Yuzhao to Li Shutong, there are diverse styles and unique styles. It has become a major calligraphy art school that is invincible to the calligraphy of calligraphy, which also shows that the stele studies do have inexhaustible artistic resources. However, since the late century, epigraphy seems to have been silent, with few great masters and new stylesPosted. In the past forty years, the calligraphy name is Revival. However, compared with the enthusiasm of calligraphy and the achievements made in seal and clerical studies, there is not much new inspiration in stele studies, and there is less creation in copying. Only Mr. Sun Boxiang can be regarded as the one who has established himself in the world. The most accomplished calligrapher of his successor is Mr. Li Yuandong.
Mr. Li Yuandong inherited his teacher and used “Shiping Gong” and “Zhang Menglong” as the basis, and used the clumsy and thick square brush as the style tone to express a melancholy charm. This is a distance from the Weibei masters since the Qing Dynasty, such as Zhang Yuzhao, Zhao Zhiqian, Wu Changshuo, Kang Youwei and others. But Li Yuandong showed his own characteristics on the basis of his master. There are mainly three aspects of Cinema:
First, Li Yuandong’s approach is not limited to “Zhang Menglong” and “Shiping Gong”. It is not difficult to see that he has also practiced many Northern Wei tombstones and calligraphy of scriptures. The diversity of learning makes his brushwork richer. The use of the pen is based on the square pen and some elements of the round pen are added. Reduce the severity of the pen with the side tip and increase the harmony of the pen with the center tip, making the lines in his pen heavier and richer tension and connotation. Although this is also reflected in Sun Bolao’s writing, Li Yuandong is obviously more conscious, bolder, and more effective.
Cursive script screen 180cm×45cm×2
Looking from the horizontal, it looks like a ridge and a side, with different heights and heights.
I don’t know the true face of Mount Lu because I am in this mountain.
——The words come from Su Shi’s “Inscription on the West Lin Wall”, which Xi Jinping quoted in articles such as “Escape from Poverty, The Light of Eastern Fujian – A Brief Thought on Cultural Construction in Eastern Fujian”
Second, Li Yuandong’s Wei stele is unconventional, lively and lively, with no changes, showing a clear tendency to be in running script. The aesthetics of contemporary calligraphy are influenced by many aspects, showing a trend of breaking traditional barriers and integrating various styles into reference. For example, the cursive transformation of seal script and clerical scripts, etc. The Wei steles in history are for practical needs and are all regular script. How to integrate this style of calligraphy with other styles such as cursive script is an important topic facing contemporary calligraphers. Looking at the contemporary calligraphy world, many people have conducted useful explorations on this area, and Li Yuandong is one of them. It is worthy of praise that the Far East can accurately grasp direction and measurement with its deep skills and keen insight. Therefore, although his Wei stele has a strong sense of cursive style, it makes peopleIt feels just right, and it will never lose the characteristics of Weibei.
Third, the Weibei calligraphy in the Far East has a very distinctive personality. This fully reflects the artistic concept of Far East writing about the heart with calligraphy. Although the Far East has profound skills, his calligraphy creation does not have the twists and pretentiousness of deliberately expressing his skills, but a kind of freedom to express his mind and hands, forget about both things and oneself. Everything is like flowing clouds and flowing water, and it will naturally be natural. This is a very high state.
Mr. Xuyu proposed the concept of “Jin Kai” a few years ago. What is Jin Kai? Of course, everyone will have different understandings. But I think that using regular script to promote personality and subjective spirit should undoubtedly be the main meaning of regular script. I think Mr. Li Yuandong’s Weibei calligraphy can be said to be a style of Jin Kai!
The revival of calligraphy has achieved great achievements in cursive script, with many famous artists and diverse styles. Especially the cursive script, known as the “crown pearl of calligraphy art”, are many outstanding famous artists. There are two examples of cursive script: one way is to take Zhang Xu as the priest, use the pen to lift and press, and open and close; one way is to take Huaisu as the teacher, and pave it purely with lines, and the center is dominant. Huaisu has many criticisms in history and theory, which is called “different and savvy”. However, Zhang Xu rarely criticized him along the way. What is a bit regrettable is that most contemporary people write big scriptures, namely, the people who write patriarch Huaisu, and fewer people who follow Zhang Xu, because Zhang Xu is more difficult along the way. Mr. Li Yuandong’s cursive script belongs to Zhang Xu’s journey, and is composed of Sun Guoting, Huang Tingjian, and Wang Duo. Sometimes he uses some square brushes of Wei steles, so his cursive script is very rich. Looking at his works, they are full of unrestrained spirit of Dionysia, but their use of the pen to lift and press and turn are meticulous, and every stroke is in place, without any vagueness. Mr. Liu Zhengcheng said that the cursive script in the Far East was between Wang Duo and Yu Youren. This evaluation makes sense. It can be said that his cursive calligraphy is as strong as Wang Duo, and his pen is as steady and solid as Yu Ren.
Cursive Shop Central Hall 220cm×100cm
Morning Writing Like Songs·Ten Years of the Exhibition of Running and Cursive Scholars (Bingshen Fuzhou Exhibition)
Explanation:
Meeting with Eight Min (East Yue) and singing together, and the same boat as the Mo Forest.
The snow brings the firewood and the article is interesting, and the sunny farms and rain makes the arts and the paths to read.
It is hard to break the fragrance of love, but I have long been holding the reputation and dreaming.
The pen is in the piano and needs to be (Cinema method) and the love is connected with the sea and dai year by year.
Weibei and Dacao are originally two completely different styles of calligraphy. It is conceivable to combine the two. But Mr. Far EastWe advance in the face of difficulties and successfully combine the two, and the style is very unified. Its Wei stele has obvious grass-like characteristics, lively and lively; while its large grass is made of pens that are solemn and vigorous, like painting sand in the cone, and has a strong Wei stele interest. The combination of the two is so perfect and natural, I think it is related to the character of the Far East. Truthfulness, simplicity, generousness and grandness are the two prominent characteristics of Far Eastern personality. In his works, it is expressed as a unique personality style that is both simple, thick, bold and elegant.
Mr. Li Yuandong is by no means a craftsman calligrapher who can only write (although there are many such calligraphers at present). He has a very deep traditional cultural foundation. Far East sent me his ancient poem “ask for advice”, and I was very surprised after reading it. His poems not only have lofty ideas and fresh styles, but also have very strict rhythms and very standardized rhymes. What is particularly commendable is that the poems are elegant and novel in their lyrics and sentences, and they are also very appropriate and precise in their use of allusions, which are considered to be the best among contemporary calligraphers. For well-known reasons, people of the age of Li Yuandong have received less traditional education. Many famous calligraphers, even calligraphers who are well-known for their academics, show their timidity when writing ancient poems. And being able to achieve such achievements in the Far East must be the result of hard work and self-study. I once said: Chinese characters and traditional culture are the two cornerstones of calligraphy art, and if a calligrapher is missing, he will not be a qualified calligrapher. We are delighted to see that Mr. Li Yuandong has reached a good level in both aspects. Appreciating his calligraphy and evaluating his poems can’t help but be amazed by the contemporary calligraphy world that has reached such a height!
Mr. Li Yuandong is not only an outstanding calligrapher, but also an excellent calligraphy organization worker. He has been in charge of the Guangdong Calligraphy Court for many years and has initiated and organized many large-scale calligraphy activities with wide influence across the country, which has received unanimous praise from the national calligraphy community. At the same time, he has repeatedly invited contemporary famous artists to Guangdong to give lectures and preach, bringing the latest calligraphy information, academic dynamics and aesthetic concepts to Guangdong, benefiting Guangdong authors a lot, thus promoting the cultivation of Guangdong’s calligraphy talents and the development of calligraphy career. At the same time, Far East is also enthusiastic about public welfare and actively participates in and promotes the cause of calligraphy serving the society. Using calligraphy as a medium to make good friends, Guangdong’s calligraphy charity has made it popular, thus winning widespread respect from society.
Liu Xizai’s “Book Summary” says: “High rhymes are deep and affectionate, strong and noble spirit, and one cannot be written in a book without any lack.” He also said: “The books of wise men are warm and mellow, the books of heroes are calm and determined, the books of dissatisfied scholars are beautiful and elegant.” The books of Far East are both talented and elegant and elegant, and are as talented as talented and elegant as heroes. With its unique personality, it stands out in the contemporary book forest!
Screen Script Screen 138cm×69cm×8
Don’t praise the good color, just leave the clear air to fill the world. ——The words come from Wang Mian’s “Ink Plum”, which Xi Jinping quoted in his speech meeting with Chinese and foreign journalists during the 19th CPC Central Committee’s Standing Committee Members of the Political Bureau of the 19th CPC Central Committee
The “Hynasty of the New Era and the Spring View of Lingnan – Li Yuandong Calligraphy Art Works Exhibition” seminar was successfully held
This newspaper reported that on the morning of April 29, 2018, the “Hynasty of the New Era and the Spring View of Lingnan – Li Yuandong Calligraphy Art Exhibition” seminar supported by the Publicity Department of the Guangdong Provincial Committee of the Communist Party of China and the Cultural Committee of the Guangdong Provincial Committee of the Chinese People’s Political Consultative Conference as the guiding unit, hosted by the Guangdong Federation of Literary and Art Circles, the Exhibition Department of the Chinese Calligraphy Association, the Calligraphy Seal Academy of the Chinese National Academy of Painting, and the Guangdong Art Museum, and hosted by the Guangdong Calligraphy Association and the Guangdong Calligraphy Academy; the “China Calligraphy” magazine, the “National Calligraphy Newspaper”, the “Chinese Calligraphy Newspaper”, the “Chinese Calligraphy Newspaper”, the “Calligraphy Newspaper”, the “Calligraphy Newspaper”, and the “Youth Calligraphy Newspaper” were held in Guangzhou.
Under the auspices of Zhang Guiguang, Chairman of the Guangdong Calligraphy Association, the exhibition and seminar were successfully held. More than 30 famous calligraphers, calligraphy theorists and calligraphy critics from all over the country, Wu Dongmin, Song Huaping, Mao Guodian, Liu Jinkai, Wang Chunxin, Zhang Xuguang, Zhou Junjie, Jiang Shoutian, Zhang Guiguang, Zhou Wenzhang, Zhang Ge, Yan Yiduan, Ou Guangyong, Lian Deng, Cai Shunong, Qi Gang, Li Shijun, Qiu Shikun, Qi Guhua, Wu Xue, Zhang Weidong, Wang Houxiang, Ni Wenhua, Fu Yacheng, Liu Yantao, Luo Yiqun, Wang Zhongyong, Chen Zhiping, Wang Zhimin, Lin Feng, Li Yuegui, Li Qingwei, Xu Hongji, Fan Chunqi, Jin Jijun, Chen Kai, Zheng Rongming and other experts at the conference expressed their insightful opinions, rich topics and enthusiastic speeches. Experts conducted in-depth discussions on the theme and content of the exhibition – General Secretary Xi Jinping’s allusions and Li Yuandong’s own writing and poems. The guests unanimously agreed that the theme of the exhibition is in line with the theme of the times and is an important attempt to practice the spirit of General Secretary Xi’s literary and artistic speech; Li Yuandong used the calligraphy creation concept of inscriptions and the integration of inscriptions and calligraphy, and the academic topics such as “Northern Inscriptions and Southern Inscriptions” that aroused this provided new inspiration for the creation of calligraphy in Lingnan and even the whole country.
Site of the seminar
“The New Era’s Hymn and the Spring View of Lingnan – Li Yuandong’s Calligraphy Art Exhibition” was grandly opened at the Guangdong Art Museum
Guangdong News
This newspaper’s news On the afternoon of April 29, 2018, the “New Era Song and Spring Look-On the Literary and Painting Exhibition” was organized by the Propaganda Department of the Guangdong Provincial Committee of the Communist Party of China and the Literary and History Committee of the Guangdong Provincial Committee of the Chinese People’s Political Consultative Conference, the Guangdong Federation of Literary and Art Circles, the Exhibition Department of the Chinese Calligraphers Association, the Calligraphy and Seal Carving Academy of the National Academy of Painting, and the Guangdong Calligraphy Academy as the organizers; the opening ceremony of the “New Era Song and Spring Look of Lingnan – Li Yuandong Calligraphy Art Works Exhibition” supported by the media was successfully held at the Guangdong Art Museum.
Li Yuandong’s thanks at the opening ceremony
Attendance to this eventImportant leaders and guests include: former commander of Lanzhou Military Region and General Li Qianyuan, former vice president of the National Academy of Administration and director of the Chinese Calligraphers Association, Deng Weilong, former deputy director of the Guangdong Provincial People’s Congress and chairman of the Guangdong Federation of Trade Unions, former deputy commander of the Guangzhou Military Region (lieutenant general) Ouyang Jingu, former deputy commander of the Southern Theater Command, Zhou Weimin, former deputy commander of the Guangzhou Air Force, Liang Suiqun, former director of the Chinese Calligraphers Association and former commander of a certain armed police corps, Wang Chunxin, former deputy political commissar (major general) Zhang Zhonghui, former deputy political commissar (major general) of the Guangdong Military Region, Dai Huan, former deputy commander of the Guangzhou Military Region Political Department (major general) Xiong Yan, former deputy director of the Guangzhou Military Region Political Department (major general) Huang Bin, former director of the Teaching and Research Department and doctoral supervisor (major general) Yang Zhaoguo, former director of the Military Affairs Mobilization Department of the Guangzhou Military Region Command, etc.
The guests outside the province include: Mao Guodian, Vice Chairman of the Chinese Calligraphy Association and Chairman of the Jiangxi Calligraphy Association, Wu Dongmin, Vice Chairman of the Chinese Calligraphy Association and Chairman of the Hainan Calligraphy Association, Liu Jinkai, Vice Chairman of the Chinese Calligraphy Association and Chairman of the Hebei Calligraphy Association, Song Huaping, Vice Chairman of the Chinese Calligraphy Association and Vice Chairman of the Henan Federation of Literary and Art Circles, Li Shijun, Director of the Chinese Calligraphy Association and Chairman of the China Calligraphy Media Group, Zhang Xuguang, Director of the Chinese Calligraphy Association and former Deputy Secretary-General of the Chinese Artists Association, Zhou Junjie, former Director of the Chinese Calligraphy Association and former Deputy Director of the Academic Committee of the Chinese Calligraphy Association, Zhou Junjie, former Director of the Chinese Calligraphy Association and former Deputy Director of the Academic Committee of the Chinese Calligraphy Association, Li Shijun, Director of the Chinese Calligraphy Association and former Deputy Director of the Academic Committee of the Chinese Calligraphy Association, Zhang Xuguang, Director of the Chinese Calligraphy Association and former Deputy Director of the Academic Committee of the Chinese Calligraphy Association, Zhou Junjie, former Director of the Chinese Calligraphy Association and former Deputy Director of the Academic Committee of the Chinese Calligraphy Association, Li Shijun, Director of the Chinese Calligraphy Association and former Deputy Director of the Academic Committee of the Chinese Calligraphy Association, Li Shijun, Director of the Chinese Calligraphy Association and former Deputy Director of the Academic Committee of the Chinese Calligraphy Association, Zhang Xuguang, Director of the Chinese Calligraphy Association and former Deputy Director of the Academic Committee of the Chinese Calligraphy Association, Zhang Junjie, Director of the Chinese Calligraphy Association and former Deputy Director of the Academic Committee of the Chinese Calligraphy Association, Zhang Xuguang, Director of the Chinese Calligraphy Association and former Deputy Director of the Academic Committee of the Chinese Calligraphy Association, Zhang Junjie, Director of the Chinese Calligraphy Association and former Deputy Director of , Wu Xue, director of the Chinese Calligraphy Association and chairman of the Anhui Federation of Literary and Art Circles, Liu Wenhua, director of the China Calligraphy Association and former director of the China Calligraphy Association Training Center, Zhang Ge, director of the China Calligraphy Association and chairman of the Heilongjiang Calligraphy Association, Qi Gang, director of the China Calligraphy Association, deputy director of the running script committee, and chairman of the Chongqing Calligraphy Association, Wang Houxiang, director of the China Calligraphy Association and member of the cursive script committee, Liu Jingwen, member of the running script committee of the China Calligraphy Association, Fu Yacheng, member of the seal script committee of the China Calligraphy Association and visiting researcher of the Chinese Character Museum, and seal script of the Chinese Calligraphy AssociationCinema Committee Member Liu Yantao, etc.
The guests in the province include: Jiang Haiyan, former deputy secretary-general of the Guangdong Provincial Government, Wang Yiyang, director of the Guangdong Provincial Department of Culture, Cheng Yang, director of the China Calligraphy Association and secretary of the Party Group of the Guangdong Federation of Literary and Art Circles, Bai Jie, secretary of the Party Group and director of the Guangdong Provincial Radio, Television and Press and Publication Bureau, Liu Sifen, former chairman of the Guangdong Federation of Literary and Art Circles, and Chinese ArtsBabaylan Vice Chairman of the Babaylan Association and Chairman of the Guangdong Federation of Literary and Art Circles Xu Qinsong, Director of the Literary and History Committee of the Guangdong Provincial CPPCC Fang Jianhong, Director of the Guangdong Artists Association Wang Shaoqiang, Director of the Guangdong Artists Association Wang Wenhao, former Deputy Director of the Organization Department of the Guangdong Provincial Party Committee, Wang Guichen, former Deputy Director of the Guangdong Provincial Museum and famous scholar expert, former Chinese Calligraphy Association Chen Yongzheng, Vice Chairman and Honorary Dean of Guangdong Calligraphy Court, Zhang Guiguang, Chairman of Guangdong Calligraphy Association, Professor and Doctoral Supervisor of South China Normal University, Li Jinkun, Chairman of Guangdong Art Association and Dean of Guangzhou Academy of Fine Arts, Zheng Xiancao, Deputy Director of Guangdong Department of Finance, Zhang Ruwen, former Deputy Director of Guangdong Department of Civil Affairs, Zhou Jun, Deputy Director of Guangzhou Municipal Party Committee Organization Department, Chen Zhongqiu, former Secretary of the Party Group of Guangdong Federation of Literary and Art Circles, Qiu Kejun, Deputy Secretary of the Party Group of Guangdong Federation of Literary and Art Circles, and former Socialist in Guangdong Province href=”https://comicmov.com/”>BabaylanLin Weijian, Dean of Yi College, former chairman of the Guangdong Federation of Social Sciences and director of the Provincial CPPCC Literature and History Committee, former secretary of the Provincial Federation of Returned Overseas Chinese, Wang Rongbao, former secretary of the Party Group and chairman of the Guangzhou Federation of Literary and Art Circles Li Pengcheng, former inspector of the Guangdong Federation of Literary and Art Circles, Ni Qian, director of the Propaganda Department of Maoming Municipal Party Committee, Luo Lijie, former chairman of the Shenzhen Federation of Literary and Art Circles Rong Tiewen, former secretary of the Shanwei Municipal Party Committee, Luo Yanqiu, former secretary of the Qingyuan Municipal Party Committee, Deng Guangrong, former deputy secretary of the Qingyuan Municipal Party Committee, href=”https://comicmov.com/”>KomiksLi Bin, Director of the Cadre Department of the Propaganda Department of the Guangdong Provincial Party Committee, Xu Yongbo, Director of the Literature and Art Department of the Propaganda Department of the Guangdong Provincial Party Committee, Tang Guohua, Director of the Literature and Art Department of the Guangdong Provincial Department of Culture, Xie Liuqing, Head of the Discipline Inspection Group of the Guangzhou Municipal Commission for Discipline Inspection, Li Jingyan, Member of the Party Committee and Director of the Guangdong Provincial Department of Justice, Wu Jialian, Secretary of the Party Committee of Guangdong Provincial Vocational College, and Jie Ye, Secretary of the Party Committee and Director of the Guangzhou Municipal Local Taxation Bureau. Advisors of Guangdong Calligraphers Association: Lian Deng, Chen Chusheng, Ou Guangyong, Liang Dingguang, Zhou Guocheng, Zhou Shujian; Yan Yiduan, director of the China Calligraphers Association, full-time vice chairman and secretary-general of the Guangdong Calligraphers Association, Qiu Shikun, director of the China Calligraphers Association and vice chairman of the Guangdong Calligraphers Association, and vice chairman of the Guangdong Calligraphers Association: Wang Zhongyong, Xu Hongji, Li Xiaoru, Chen Chunsheng, Chen Qinshuo, Zhou Hanbiao, Qi GuhuaCinema, Lan Guanghao, Cai Zhaobo; Members of the presidium of the Guangdong Calligraphers Association: WangCinemaZhimin, Wang Daoguo, Li Qingwei, Shen Yongtai, Chen Zhiping, Ni Kuan, Huang Zhixiong, Liang Xiaozhuang; Fan Chunqi, Vice Chairman of the Hong Kong Branch of the China Calligraphy Association, Li Feihong, Deputy Secretary-General of the Guangdong Calligraphy Association, Jin Jijun, Vice Dean and Master’s Supervisor of the School of Fine Arts of Guangdong Technical Normal University, Wu Huiping, Deputy Director of the Research Department of Guangzhou Academy of Fine Arts and Master’s Supervisor; Representatives of calligraphy media are: ChinaBabaylan Member of the Academic Committee of the Calligraphy Association and Deputy Editor-in-Chief of Calligraphy Guide, Li Yuegui, Vice Chairman of the Heilongjiang Calligraphy Association and President of the Youth Calligraphy Newspaper, Cai Shunong, Chief Reporter of the Art Newspaper, Zhang Xin, Assistant President of China Calligraphy Newspaper, Director of the Editorial Center and Editor of the Chinese Calligraphy Newspaper, Liu Guang, Editor of China Calligraphy and Painting Magazine, Wang Xin, Director, Editor of the China Calligraphy Publishing and Media Office, Qi Yuxin, Director of the Chinese Calligraphy Forum, and Che Dilin, Editor-in-Chief of China Calligraphy Network. Chairman and vice chairman of Calligraphy Associations in various cities in the province include: Wu Xuexiang, Feng Wenqin, Yu Naigang, Zhou Jun, Feng Yongsheng, Xie Jiahua, Zhang Yulin, Zhang Wenfeng, Zhu Qiming, Song Huannan, etc.; celebrities in the social enterprise industry include: Feng Baiqiao, President of the China Cross-Strait and Four Regions Cultural Exchange Association, Liu Yuhong, Vice President of Ball Group, Guan Pengcheng, Secretary of the Party Committee of Sinopec South China Company, Liang Zhongjing, former deputy inspector of Guangdong Provincial Department of Civil Affairs, Li Shunfang, Deputy General Manager of Guangdong Zhongjun Entrepreneurship Service Co., Ltd., Yang Xiaoling, First Vice Chairman of Leshan Hall in Kowloon, Guangdong Province, Xingda, Guangdong ProvinceYe Jinfu, founder of Group Co., Ltd., Li Rirong, chairman of Guangdong Rongji Group, etc.
Card script Zhongtang 248cm×129cm
The cultural fortune is connected with the national fortune, and the cultural tradition is connected with the national pulse.
——Xi Jinping: “Speech at the opening ceremony of the Tenth National Congress of the China Federation of Literary and Art Circles and the Ninth National Congress of the Chinese Writers Association”, People’s Daily December 1, 2016
The above guests, calligraphers and scholars from all over the country, professors, students, and calligraphy enthusiasts of colleges and universities participated in the full-day event.
The opening ceremony was co-hosted by Yan Yiduan, director of the China Calligraphy Association, full-time vice chairman and secretary-general of the Guangdong Calligraphy Association, and Sheng Nan, a famous host of Guangdong TV. Wu Dongmin, Vice Chairman of the Chinese Calligraphy Association, Cheng Yang, Secretary of the Party Group of Guangdong Federation of Literary and Art Circles, and Zhang Guiguang, Chairman of the Guangdong Calligraphy Association, delivered speeches respectively. They all expressed warm congratulations on the successful holding of the exhibition, praised the content of the exhibition’s interpretation of classics, and fully affirmed Li Yuandong’s artistic attainments in calligraphy creation, poetry writing, etc.
Li YuanCinema Dong’s thanks speech profoundly elaborated on learning from General Secretary Xi’s Jin Yan and using allusions, and expressed his sincere gratitude to the times, society, teachers and good friends. While analyzing the exploration concept of the integration of creative content and inscriptions and calligraphy, he expressed his willingness to continue to work hard and unite with his colleagues, and make greater contributions to the development of Guangdong’s calligraphy world.
This exhibition is a link in the Guangdong Provincial Propaganda Department’s highlighting talent support and development plan. “Lingnan Spring View – Collection of Calligraphy Works by Li Yuandong’s Self-written Poetry Couplets” was published simultaneously by Lingnan Fine Arts Publishing House. Shen Peng, former chairman of the Chinese Calligraphy Association, signed “Lingnan Spring View” and General Li Qianyuan, wrote “Praise of the New Era”, Zhang Hai, former chairman of the Chinese Calligraphy Association, wrote congratulations, Chen Yongzheng, former vice chairman of the Chinese Calligraphy Association, and prefaced the works of Western Chinese writings by members of the Academic Committee of the Chinese Calligraphy Association. Guangdong TV also specially recorded a special film “Li Yuandong’s Calligraphy Art” and gave a comprehensive and multi-angle push display of this event. It can be seen that the exhibition has a great masterpiece and a clear orientation of poetry and calligraphy, which is of great inspirational significance at the moment.
The exhibition has nearly 100 works, in various forms, either in two-meter-long books, or in a simple sketch, or in a casual cursive script, or a quiet Wei stele. It fully displays the allusions of General Secretary Xi Jinping’s Jin Yan, and Li Yuandong’s self-written poems and couplets that praise the spirit of the new era, show the style of the new era, and describe the magnificent rivers and mountains. This exhibition comprehensively displays Li Yuandong’s interpretation of classics, poetry, songs, calligraphy creation, etc.Unremitting exploration.
Li Yuandong, as a well-known calligrapher in Lingnan who is active in the country, studied under Wang Chucai, Ou Guangyong, Sun Boxiang and others. Over the past 30 years, he has done a lot of effective work in calligraphy creation, talent training, public welfare and benefiting the people, and has made important contributions to Guangdong’s literary and artistic undertakings. He is a literary and artistic worker and calligrapher with outstanding comprehensive literacy in the contemporary Chinese calligraphy world.
This exhibition ends on May 5th.
Regular script 120cm×120cm
On Kang Youwei Interpretation:
A dream of the bus, and the 100-day Reform Movement will be gone to Maicheng. The lush trees are passed down through the world, and the sound of the cold year is alone. Cinema
The book of Datong has written a high meaning, and the art boat conveys a retro love. Whoever discusses the light of the South China Sea? Right and wrong, merit and demerit will be clearly distinguished.