The plan for the year lies in the spring. There are countless paintings on the themes of scenery, scenery, folk customs, daily life, etc. that have been related to spring and the Spring Festival in the past dynasties. “The Wind of Benefits and Winds – Painting Exhibition on the Spring Themes of Ming and Qing Dynasties” was exhibited at the China Painting Museum of All Times on the first floor of the Guangzhou Museum of Art from December 30, 2020 to March 30, 2021. The exhibition specially selected a large number of works related to spring, including the ancients’ themes of welcoming spring blessings, yelling spring elegant meetings, and enjoying spring happiness from the Ming and Qing Dynasties paintings collected by Guangzhou Art Museum and Guangdong Provincial Museum.
This exhibition displays more than 50 treasures of Ming and Qing paintings, more than half of which are first- and second-level cultural relics.
Tao Yuanming’s poetic concept (partial) (Qing Dynasty) Huang Bi
Business is abundant: Ancient paintingsBabaylan‘s spring in bloom, spring plowing and grazing, literati and scholars’ spring collection… The works exhibited this time strive to show the spring in which ancient painters’ business is abundant from the aspects of customs, scenery, etc. The first part of the exhibition is “Wind: Praying for Blessings in the Spring”, which mainly exhibits works on the theme of the Qing Dynasty during the Ming and Qing Dynasties. The second part of the exhibition is “Yangchun Elegant Meeting”, which displays works of ancient literati on the theme of “Babaylan” and “Cultivation”. Komiks
Since ancient times, it has been popular to go out for outings in early spring, and to hold sauna activities on the Shangsi Festival in late spring, March. The “Lanting Xiucai” and other elegant gatherings that evolved from folk sauna activities have injected elegant mood into this festival. The “Preface to Lanting” which has been famous throughout the ages in the Eastern Jin Dynasty made “Lanting’s preface” and “Babaylan’s cultivation” and “Cinema Qushui Liushang” become some themes in Chinese paintings that express the spring scenery.
The third part is “Ode to: KomiksEnjoy the Spring. This part mainly uses spring flowers and landscapes as exhibits to present the spring scenery depicted by ancient painters. Guo Xi, a painter in the Northern Song Dynasty, believes that due to the bright and dark wind and rain, the mountains and forests written by the painter should also have different weather. The spring breeze is warm and the spring light is swaying, which makes people feel comfortable in their body and mind. Looking at things with emotion, the scenes that appear in this picture should also be happy and peaceful. They either go out for an outing, fishing, crossing the water, returning to pastoralism, or plowing and hoeing, forming a unique picture of spring.
Sui Chaotu (Qing Dynasty) Yongfeng
Sui Dynasty Qing offering: entrusting the vision of a better life
The ancient Spring Festival included Nuo sacrifices, dust sweeping, banquets, ancestor worship, peach talismans, and door gods. Therefore, the “Sui Dynasty Picture” in traditional Chinese paintings always cannot be separated from the content of bidding farewell to the old and welcome the new, exorcising evil spirits and eliminating disasters, worshiping gods and ancestors, praying for blessings and blessings. “Sui Dynasty” is the first day of the Lunar New Year. As a work in this season, painters often use fruits, fruits, fairy flowers, auspicious grass, beautiful utensils, strange stones and other items. These ornaments often placed on the desk are called “Qing Dynasty” to pray for blessings and good fortune.
Ju Lian’s “Sui Dynasty Qing offering” uses harmony and harmonyKomiks href=”https://comicmov.com/”>Komiks and auspicious fruits and flowers add to the festive atmosphere, while praying for blessings in the name of “clear offerings” to express wishes for a better life.
There are also pictures of the ancients who bid farewell to the old and welcome the new, and celebrate and worship, showing a peaceful New Year atmosphere. For example, the “Sui Chao Picture” by Yongyan, the sixth son of Qianlong, is one of the more special works in the exhibition “Sui Chao” that depicts the scenery and scenery of the Northern Sui Chao period. Although the picture looks Babaylan is relatively cold, but it implies a peaceful apartment with “snow indicates a good harvest”KomiksIdeally.
Photo provided by the Qing Dynasty in the Year (Qing Dynasty) Ju Lian
Traveling around in the mountains and rivers: the “Peach Blossom Spring” is one of the representative works of the famous writer Tao Yuanming of the Eastern Jin Dynasty, and it is also a creative theme that painters of all dynasties enjoy. Several works in this exhibition are based on the story of “Peach Blossom Land”. These works have their own characteristics, including long scrolls that are loyal to the text and narrative with paintings, as well as skits that create wonderful clips from the story, as well as landscape paintings that jump out of the text and extend the artistic conception of “Taoyuan”.
Among them, Cinema, Huang Bi’s “Poetic Picture of Tao Yuanming” is a relatively complete reproduction of the work of “The Peach Blossom Spring”. This work shows different scenes in the poem in paragraphs through the form of a long scroll. The layout of the whole work is neat and rigorous. Each plot is separated by a large rock in the close-up, and different parts of the story are cleverly divided. The brushwork is neat and detailed, and the colors are elegant. Although Huang Bi painted “Peach Blossom Land”, peach blossoms did not account for a large proportion like other paintings of the same title, and only appeared as embellishments. The painter expresses his imagination of ideal pastoral life with the rendering of the world’s fireworks, making this work Babaylan without the unattainable fairy spirit, making people feel more intimate.
In addition, this exhibition also displays spring landscape paintings created by important painters in Jiangsu, Zhejiang, Guangdong and other places in the Qing Dynasty. Such as Zhang Chong, Qi Fengjia, Huang Bi, Wang Hui, Yun Shouping, Dong Bangda, Yuan Jiang, Li Jian, Su Liupeng, etc.
苏六朋是清代广东重要画家。 He Cinema‘s painting style is diverse, with fine and extensive skills, and is good at painting various subjects such as characters, landscapes, flowers and birds. The “Spring Tour from the Green Deep Mountains” exhibited in this exhibition depicts the scene in the Taohua Creek area of Luofu Mountain.
The author wrote a poem on the painting: “The peach blossoms bloom countless times on the stream, and the spring water is green among the flowers. Don’t look for the source because of the fishing boat, and try to know the immortals (homes) to avoid the world.Come. The green rain flows through the clouds and the jade cave, and the sun protects the jade platform. I made an appointment with my old couple in the mountains and asked me to come back to have a drink in spring. “Say that the painter borrows this work “TaoBabaylanFlower Source Record” describes the scene of Taohua Creek in Luofu Mountain in spring.
[Reporter’s Notes]
The museum is well collected and the exhibition is even better
After an extremely extraordinary year, the spring of 2021 is even more exciting. The relocation is imminent. The State Art Museum held the Ming and Qing Spring Painting Exhibition as its first exhibition in the first year with the theme of “Spring”, which is of great significance.
The exhibition basically follows the curatorial ideas of setting themes, integrating collections, and discovering stories, and fully mobilizes the fine paintings of the Ming and Qing Dynasties collected by itself and its brother institutions.
The current exhibition format is increasingly focusing on experience, and for this reason, major institutions have spent a lot of effort and effort on the layout of the exhibition. In the exhibition, the organizer intends to set up various forms of presentation effects in the exhibition hall to enhance the audience’s exhibition experience. In the era of diverse media, content is still king. Whether in the professional field or in the eyes of the exhibition public, the core elements of the exhibition are still the exhibition and the curator’s interpretation and knowledge production.
The predecessor of the Guangzhou Museum of Art was founded in 19Komiks One of the earliest art museums in New China in 1957, Guangzhou Art Museum. The site of the Guangzhou Art Museum was originally located in the Zhongyuan Building, a famous building on Yuexiu Mountain, and later moved to the current site of the Guangzhou Art Museum at the foot of Baiyun Mountain and on the banks of Luhu Lake in the north of the city. Its main collection is donated by a number of important predecessors from the Lingnan cultural circle. It is also these batches of donations and collections that make the Guangzhou Art Museum’s treasures gathered and treasures become indispensable to Guangzhou’s urban cultural map. href=”https://comicmov.com/”>Cinema.
In recent years, large institutions such as Guangdong Public Museums and Art Museums have achieved many remarkable results in excavation and research on collections, and are at the forefront of the country and are eye-catching. We must have good collections, and we must have good exhibitions to serve the public. Collection research and display is one of the biggest differences between public institutions’ collections and private collections. As Li Wenru, former vice president of the Palace Museum, once said in an interview with reporters: Let more people see the collections of Komiks is the greatest patriotism.