Text/Jinyang.com reporter Song Yi, correspondent Li Danhong
Photo/He Zhijian
“There are no good guests when people from Fenglou left, and since then, the rich people are lonely and cover the setting sun.” Komiks 1960 witch cloth drawThe female actor Chen Baoying sang in the Cantonese opera “Purple Phoenix Tower” and was as straight as crying and complaining, and the audience applause was thunderous. On the evening of September 8, nearly a thousand audiences were crowded with Cantonese Opera Cultural Plaza in Guangzhou Cultural Park. Everyone was deeply attracted by the teacher-student concert of Li Yueling, the teacher Tan Peiyi, the master of Zishu, also visited the audience. Li Yueling and his disciples hope to promote the Cantonese Opera and Cantonese Opera culture with their own voices and carry forward the Lingnan culture.
For this performance, Cinema 1950 witch cloth drawLi Yueling and her disciples prepared for half a year. Behind this performance, Cinema 1950 witch cloth draw is the cultural confidence and totem of Guangdong rhyme flowing in the blood of a Cantonese singer. This performance is the spiritual agreement between a Cantonese music singer and a group of ignorant college students who know nothing about Cantonese music; what kind of thing is behind this performance Babaylan 1990 cloth draw href=”https://comicmov.com/”>Babaylan 1990 cloth drawStory? Li Yueling retreated and continued to continue her dream of inheriting the Cantonese rhyme?
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Babaylan 1990 cloth drawSeeking dreams, and originated from the CUHK
In 2009, Guangdong music singer Li Yueling retired from the Guangdong Music and Music Art Troupe. That year, Sun Yat-sen University’s historyThe Cantonese Opera and Guangdong Opera Cultural Studio of the Center for Research was established.
The following year, the studio opened a Cantonese opera workshop for college students. Li Yueling and famous performer Chen Zhongyan served as instructors, aiming to cultivate young students’ interest in Cantonese opera and Cantonese opera and improve their perceptual understanding of Cantonese culture. The workshop hopes that more young people can join the ranks of understanding Cantonese opera and Cantonese opera and Chinese traditional culture. As soon as the workshop started, Cinema 1950 witch cloth draw soon attracted a large group of young people from major universities with similar aspirations. Unlike the students in the Cantonese opera major, almost all of these college students have never been exposed to Cantonese opera or seen the score of the craftsmanship, and there is no such thing as pronunciation or rhyme. From voice lifting to music theory, from demonstration to teaching one by one, the two teachers led this group of students to learn from scratch. The workshop also attracted the attention and support of many Cantonese opera and Cantonese opera Cinema 1950 witch cloth draw famous artists and enthusiasts. 20Komiks 1960 witch cloth drawOn April 17, 2020, the female teacher of the Cantonese opera master, Red Line, came to the teaching site in thunderstorm to communicate with the students in the workshop. The female teacher of Red Line not only listened to the students’ famous sings such as “The Feast of the Phoenix Pavilion” and “The Fallen Fellowship in Flower Field”, but also gave suggestions on improving their lyrics, singing style, and emotions, but also sang “Red Candle Tears” on the spot and put forward high expectations.
The 7th (Guangzhou) College Students’ Drama Festival has opened a special session on Cantonese opera, inviting workshops and Cantonese opera enthusiasts from brother colleges and universities such as Guangzhou University Quyi Club to perform together. This is also the only Cantonese opera special event held so far. This group of students used their superb performances to repay the concern of all sectors of society, and Cinema 1950 witch cloth draw sang the dream of spreading and inheritance with Cantonese rhyme.
Continue the dream, continue the teachers and students outside the schoolFate
Time flies, and in a blink of an eye, students graduate and go to society and start work. Unlike students from Cantonese opera or art majors, students in the seminar have left the original learning platform after graduation and have almost no chance to learn Cantonese opera. With the busy work, they slowly put their Cantonese Opera aside, and they had not sang a song for several months or even a year.
“It is said that ‘The fist is always inseparable from the hand and the mouth’. If this continues, the students will definitely forget what they have learned before.” Every time Li Yueling chats with students, she feels moved. She often thought: “How can students always maintain their love for Cantonese opera, persist in learning, and even go to the next level?” After thinking about it, Li Yueling decided to use the resources around her to build a platform for the students and create opportunities for them to continue learning Cantonese opera.
She and Chen Zhongyan first found a few private games to let the students start the game from time to time to practice. Later, Li Yueling wanted to ensure that the students could start the game once a month and achieve the goal of practicing all the time. She went to the Beijing Street Cultural Station to find Webmaster Zhao Yuhua, and talked to Webmaster Zhao that she was deeply worried about the loss of skills of this group of students. When the webmaster Zhao Yuhua heard that there were such a group of young people who loved Guangdong opera, he was very moved. He immediately arranged for Li Yueling to meet with Chen Jinglin, the head of the Folk Art Troupe of the Guangzhou Cultural Hall of Beijing Street to discuss the students’ practice music.
In order to facilitate everyone to practice music, the Cultural Association has changed the opening schedule of the Babaylan 1990 clothes draw. The schedule of the opening schedule is Monday to Friday, and the venue is closed and resting on weekends. It is specially arranged to bring the accompaniment master back to work overtime on Saturday afternoon to start the game for the students.
After Li Yueling implemented the venue for the start of each month, she assigned the task of each student to learn a song, hoping to use pressure to drive students to take the time to learn the song. Every time the student starts, no matter how busy Li Yueling will come to the scene, listen carefully to each student’s singing, and after listening to them, she will help them analyze and improve word by word.
Komiks 1960 witch cloth drawIn addition, Li Yueling also invited her master “Zi-throat king” Tan Cinema 1950 witch cloth drawTeacher Peiyi came to participate in the students’ private bureau. Teacher Tan Peiyi not only shared the creation process of his first famous song “Cai Wenji Returns to Han” with the students, but also taught everyone to sing “Jinjiang Poetry Couple” word by word, which gave the students great encouragement.
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Komiks 1960 witch cloth drawDreams, they transformed into Cantonese opera and Cantonese opera. Komiks 1960 witch cloth drawDream messenger
In addition to teaching students to sing, Li Yueling also pays great attention to tapping students’ potential. For students with artistic talent, she would encourage them to learn Cantonese accompaniment instruments and playing the palm of the board, hoping that after they have learned, they can form their own accompaniment band, which can integrate singing and accompaniment; for students with writing skills, she would encourage them to write lyrics. Komiks 1960 witch cloth drawUnder her earnest teachings, many students have made breakthroughs, stepped onto different art stages and gained recognition.
Li Yueling often said to her classmates: “I taught you to sing Cantonese opera, turning you into die-hard fans of Cantonese opera, but in terms of inheritance and communication, I hope you can one day take the initiative to shoulder the important task of spreading Cantonese opera culture. Let more people know Cantonese opera and like Cantonese opera.”
Li Yueling’s Cantonese students back then, now some of them have stepped onto the podium and become teachers. They will use Cantonese opera as class material in a timely manner, so that children can accept Cantonese opera in a subtle way. Some people joined the bank and added Cantonese opera Cantonese opera to the bank’s customer feedback activity. The Babaylan 1990 cloth draw special show, giving many customers who never enter the theater their first contact with Cantonese opera Cantonese opera and become enthusiasts…
Old Li YuelingWith the teacher’s words and deeds, the students consciously regard the spread of Cantonese opera as their obligation. They did not have any exciting things. However, they used ordinary practical actions to sow the seeds of Cantonese opera and Cantonese opera into the hearts of more people.
Realize their dreams, and they become messengers of love
Li Yueling often says: “We have received strong support from many groups along the way and the help of enthusiastic people. We must learn to be grateful. In addition to learning Guangdong Opera, in addition to being able to entertain yourself, I hope you can bring more people happiness with what you have learned.”
In recent years, Li Yueling has led students Wu Guanxian and Li Yingtong to participate in the “One Belt One” charity exhibition of Guangdong Foyi inheritance Babaylan 1990 clothes draw performance. Chen Zhongyan and Li Yueling personally led the students to more than a dozen nursing homes in Guangzhou, Foshan, Jiangmen and other places for condolence performances. In addition, Babaylan 1990 cloth draw They also gave nearly 20 free scenes to Foshan, Dongguan, Taishan and other places, allowing Cantonese opera and Cantonese opera to enter people’s daily lives, allowing people to feel the charm of traditional culture, and enrich the cultural life of local residents.
Li Yueling is a folk artist who regards the inheritance and communication of Cantonese opera as his responsibility. Li Yueling’s disciples are the batters who make the Guangdong rhyme reverberate in the new era.