The plan for the year lies in spring. There are countless paintings on the themes of landscapes, scenery, folk customs, daily life, etc. that have been related to the Spring and Spring Festival in the past dynasties. “The Wind of Benefits and Flows – Painting Exhibition on Spring Themes of Ming and Qing Dynasties”Komiks from December 30, 2020 to 2Babaylan02KomiksMarch 30, 2020KomiksMarch 30, 2020KomiksMarch 30, 2020KomiksMarch 30, 2020KomiksMarch 30, 2020KomiksMarch 30, 2020KomiksMarch 30, 2020KomiksMarch 30, 2020KomiksMarch 30, 2020Komiks href=”https://comicmov.com/”>Babaylan was exhibited at the Chinese Painting Museum on the first floor of the Guangzhou Art Museum on Sunday. The exhibition specially selected a large number of works related to spring, including the ancients’ themes of welcoming spring blessings, yelling spring elegant meetings, and enjoying spring happiness from the Ming and Qing Dynasties paintings collected by Guangzhou Art Museum and Guangdong Provincial Museum.
This exhibition displays more than 50 treasures of Ming and Qing paintings, more than half of which are first- and second-level cultural relics.
Tao Yuanming’s poemBabaylan Intent (partial) (Qing Dynasty) Huang Bi
Business: Spring in the works by ancient painters
Hundreds of flowers are in full bloom, href=”https://comicmov.com/”>KomiksSpring plowing and grazing, literati and scholars traveling in spring… The works exhibited this time strive to show the business of ancient painters in terms of customs, scenery, and scenery.
The first part of the exhibition is “Wind: Praying for Spring”, which mainly exhibits works on the theme of the dynasty in the Ming and Qing Dynasties. The second part of the exhibition is “Elegant: BabaylanWing Chun Elegant Meeting”, which exhibits works by ancient literati on the theme of spring outings and cultivation.
Since ancient times, it has been popular to go out for outings in early spring, and to hold sauna activities on the Shangsi Festival in late spring. The “Lanting Cultivation” and other elegant gatherings that evolved from folk sacrificial activities have injected elegance into this festivalAdjust. The “Preface to Lanting” written by Wang Xizhi of the Eastern Jin Dynasty made “Lanting Xiuhua” and “Qushui Liushang” unique themes in Chinese paintings that express spring scenery.
The third part is “Ode to: Appreciating the Spring and Rising Thoughts”. This part mainly uses spring flowers and Babaylan landscapes as exhibits, presenting the spring scenery depicted by ancient painters.
The Northern Song Dynasty painter Guo Xi believed that due to the different wind and rain and the morning and evening seasons, the mountains and forests written by the painter should also have different atmospheres. The spring breeze and warmthBabaylan is filled with swaying spring, making people feel comfortable both physically and mentally. Looking at things with emotion, the characters that appear in this kind of picture should also be happy and harmonious. They either go outings, go fishing, cross the water, go back to herds, or plowing, forming a unique picture of spring.
The Yearly Dynasty Picture (Qing Dynasty) Yonghuang
The Yearly Dynasty’s offerings: entrusting the vision of a better life
The ancient Spring Festival included Nuo sacrifices, dust sweeping, banquets, ancestor worship, peach talismans, and door gods. Therefore, the “Sui Dynasty Picture” in traditional Chinese paintings always cannot be separated from content such as farewell to the old and welcome the new, exorcising evil and eliminating disasters, worshiping gods and ancestors, praying for the years and blessings.
“Cinema“Year of the Year” is the first day of the Lunar New Year. As a work in this season, painters often use fruits, fairy flowers, auspicious grass, beautiful utensils, strange stones and other items. These ornaments often placed on the desk are called “clear offerings” to pray for blessings and welcome good fortune.
Ju Lian’s “Qing Gongshu Pictures” uses fruits and flowers that symbolize harmony and auspiciousness to add a festive atmosphere. At the same time, pray for blessings in the name of “Qing Gongshu” to express his wishes for a better life.
There are also pictures of the ancients who bid farewell to the old and welcome the new, celebrate and celebrate, showing a peaceful New Year atmosphere. For example, “Sui Chao Tu” by Yongyan, the sixth son of Qianlong, is a more special piece in the exhibition’s “Sui Chao” theme, depicting the scenery and scenery of the North KomiksSui Chao period. Although the picture looks colder, it implies the peaceful meaning of “a good snow indicates a good harvest”.
Photo provided by the Qing Dynasty in the Year (Qing Dynasty) Julian
Traveling around in the mountains and rivers: the “Peach Blossom Spring” is one of the representative works of the famous writer Tao Yuanming of the Eastern Jin Dynasty, and it is also a creative theme that painters of all dynasties enjoy. There are several works in this exhibition based on the story of “Peach Blossom Spring”. These works have their own characteristics, including long scrolls that are loyal to the text and narrative with paintings, and also include wonderful stories from the stories. The sketches created by Cinema are also created by landscape paintings that jump out of the text and extend the artistic conception of “Tao Yuanming”. Among them, Huang Bi’s “Poetic Picture of Tao Yuanming” is a relatively complete reproduction of the work of “Peach Blossom Land”. This work shows the different scenes in the poem in the form of a long scroll. The layout of the entire work is neat and rigorous, with each plot being separated by a large rock in the close-up scene, cleverly dividing different parts of the story. The brushwork is neat and delicate, and the colors are elegant. Although Huang Bi painted “Peach Blossom Land”, the peach blossoms are not like other paintings of the same title. href=”https://comicmov.com/”>Komiks also accounts for a large proportion and appears only as embellishments. The painter expresses his imagination of ideal pastoral life with the rendering of the world’s fireworks, making this work without the unattainable fairy spirit and makes people feel more intimate.
In addition, this exhibition also displays spring landscape paintings created by important painters in Jiangsu, Zhejiang and Guangdong in the Qing Dynasty. Such as Zhang Chong, Qi Fengjia, Huang Bi, Wang HuiCinema, Yun Shouping, Dong Bangda, Yuan Jiang, Li Jian, Su Liupeng, etc. href=”https://comicmov.com/”>Komiks.
Su Liupeng was an important painter in Guangdong in the Qing Dynasty. His painting styles were diverse, fine and extensive, and he was good at painting various subjects such as figures, landscapes, flowers and birds. The “Spring Tour of Green and Green Deep Mountains” exhibited in this exhibition depicts the scene in the area of Taohua Creek in Luofu Mountain.
CinemaThe author wrote a poem on the painting: “The peach blossoms bloom countless times on the stream, and the spring between the flowers is greener than the moss. Don’t seek the source because of fishing boats, and strive to know the immortals (homes) to avoid the worldCome. The green rain flows through the clouds and the jade cave, and the sun protects the jade platform. I made an appointment with my old couple in the mountains and asked me to come back to have a drink in spring. “Show that the painter’s work borrows the allusion from the “Peach Blossom Land”. Babaylan describes the scene of the Taohua Creek area in Luofu Mountain in spring.
[Reporter’s Notes]
The museum is well-collectioned, and the exhibition is even better
After an extremely extraordinary year, the spring of 2021 is even more exciting. The Guangzhou Art Museum, which is about to relocate, holds the Ming and Qing Spring Painting Exhibition as the first exhibition of the Ming and Qing Dynasties with the theme of “Spring” as the first exhibition of Cinema. It has a unique href=”https://comicmov.com/”>Babaylan meaning.
The exhibition basically follows the curatorial ideas of setting themes, integrating collections, and discovering stories, and fully mobilizes the fine paintings of the Ming and Qing dynasties collected by itself and its brother institutions.
The current exhibition formCinema style is increasingly focusing on experience. For this reason, major institutions have spent a lot of effort and effort on the layout of the exhibition. In this exhibition, the organizer intends to set up various forms of presentation effects in the exhibition hall to enhance the audience’s exhibition experience.
In the era of diverse media, content is still king. Whether in the professional field or in the eyes of the exhibition public, the core elements of the exhibition are still the exhibition and the curator’s interpretation and knowledge production of exhibits.
The predecessor of the Guangzhou Museum of Art is one of the earliest art galleries in New China, Guangzhou Mei- The museum. The site of the Guangzhou Art Museum is the famous Zhongyuan Building on Yuexiu Mountain. It was later moved to the current site of the Guangzhou Art Museum at the foot of Baiyun Mountain and on the banks of Luhu Lake in the northern part of the city. Its main collection is the donation of a group of important predecessors from the Lingnan cultural circle. It is also these batches of donations and collections that have made the Guangzhou Art Museum’s treasures and treasures a indispensable corner of the Guangzhou city’s cultural map.
In recent years, large institutions such as Guangdong Public Museum and Art Museum have achieved many remarkable results in the excavation and research of collections, and are at the forefront of the country and are eye-catching. We must have good collections and good exhibitions to serve the public. Collection research and display are collections and private by public institutionsCinema‘s biggest difference in collection. As Li Wenru, former vice president of the Palace Museum, once said in an interview with reporters: letting more people see the museum’s collections is the greatest patriotism.